MKCS - Our Next Concert

Spring 2018 - Our Next Concert

Rehearsals are on Thursday evenings from 7.30pm to 9.30pm in the Melvin Hall at Mount Kelly College. We will continue rehearsing Mozart’s Great Mass in C Minor from Thursday 11th January 2018 for our performance on March 17th 2018 in Tavistock's St.Eustachius’ Church.

Download the poster here.

Mozart - A Portrait

Mozart Mass in C Minor

During his employ at the archiepiscopal court in Salzburg, Mozart wrote a great deal of music for the Catholic church. After leaving Salzburg, Mozart wrote only a few sacred compositions: the motet Ave verum corpus, and the incomplete Mass in C Minor and Requiem. Ironically, the two incomplete works are Mozart’s great sacred masterpieces. Both are works of intensely powerful expression, masterful complexity, and sublime beauty. They are large-scale works, and even in their incomplete form give an impression of grandeur.
Although Mozart’s failure to complete the Requiem Mass can be explained by his final illness, the reasons for leaving the C-Minor Mass incomplete remain a mystery. Nor is it known with certainty why he undertook the composition of a full-scale mass in 1782, a year after leaving Salzburg. In a letter to his father dated January 4, 1783, he wrote:
I have truly promised this in my heart and hope to fulfill it … a proof of the reality of my promise, however, is the score of half a Mass, of which I have high hopes.

Mary Mazur-Park at a Kelly Choral Society Rehearsal

As to what he promised in his heart, it is thought that it was a vow to perform a new mass in Salzburg if he succeeded to bring Constanze there as his wife: after a difficult courtship they had married in August 1782. Others suggest it was connected with Constanze’s first pregnancy: a son was born in June 1783, but lived for just two months.

In any case, the Mass was performed at St. Peter’s Church in Salzburg on October 23, 1783, with Constanze singing one of the solo soprano roles. In the performing score and parts, only the Kyrie, Gloria, and Benedictus are complete. The Credo breaks off after the Et incarnatus est, and the Agnus Dei is missing entirely. The orchestral parts for portions of the Credo are incomplete. It is not known how the 1783 performance was accomplished: whether, for example, parts were actually finished and subsequently lost, or whether Mozart completed the mass with a pastiche of earlier movements. In any case, the music that remains is remarkable. It is written in the form typical of baroque masses, with the text set in separate movements rather than set continuously, as in later masses. At the time of composition, Mozart was intensely studying works by Handel and Bach, and this is evident throughout the Mass, particularly in the choral writing. To this he adds two virtuoso solo soprano arias inspired by Italian opera. The result is a work that is a summation of the eighteenth century, and at the same time the work of a remarkably creative and original mind.

© Charlotte Nediger - Behind the Musik: Mozart Mass in C Minor (Blog of Tafelmusik Baroque Orchestra and Chamber Choir)

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If you'd like to buy any of the CDs relating to these reviews, then don't miss Book Stop's marvellous offer.

They will contribute 10% of the price of any concert CD purchased by a MKCS member to our Choral Society funds.

Just show your membership card at The Music Room in Book Stop to treat yourself to any of these splendid performances, give yourself a head start at rehearsals, and benefit our Choral Society at the same time!
Handel Messiah CD Cover


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See below for details of this smashing offer for the Concert CD from Book Stop!